This short manual consists of a series of photographs and accompanying text that show the correct positions for dance, for example the placement of the lady's left hand upon the gentleman's right shoulder in waltzing. Several of the photographs also show the incorrect way of holding one's partner. Topics: Authors: G: G. Hepburn Wilson ..., Titles: A
This antidance treatise was directed at the large German-speaking population that settled in the mid-western section of the United States. Pfefferkorn's two main arguments are common in this genre of literature: dance is a waste of time and money and, additionally, is bad for the health. The author concludes that dance is sinful and dangerous, leading to carnal appetites and immoral thoughts and actions. Topics: Authors: G: G. J. Pfefferkorn ..., Titles: I
An excellent manual for description of mid nineteenth-century social dances, Gawlikowski also discusses steps and figures for the mazurka, a dance performed in the manner of a quadrille in Europe's ballrooms. Description is also given for other popular ballroom dances including the waltz, polka, schottisch, polka-mazurka, and redowa. Gawlikowski provides 38 figures for a contillon-valse, (known elsewhere as the cotillon or German), and a popular group dance performed as a series of party games... Topics: Authors: G: Gawlikowski ..., Titles: G
This manual represents one of the most important sources on dance technique for the second half of the eighteenth century and is a critical link between Baroque dance and early romantic ballet. Part one is divided into sixty sections describing various aspects of dance beginning with a statement on the utility of dance, and feet positions. The manual continus with descriptions of many steps, for example, four of battemens, nine types of pas de bourrée; balloté; and twenty-three types of... Topics: Authors: G: Gennaro Magri ..., Titles: T
This manual is designed as a self-teacher for those who cannot or, according to the author, are unwilling to attend dance classes. Additionally, Cree declares the most popular dances to be the Lame Duck Valse, valse, one step, foxtrot, and lancers. Although he includes instructions for a Three Step or Straight Jazz, and a Tango Valse, the manual does not reflect dances that were being performed during the late teens. Topics: Authors: G: George Grossmith, illustrated with diagrams., Titles: H
byGiambatista Dufort, indirizzato all' eccellenza delle signore dame, e de' signori cavalieri napoletani.
Part one of this text consists of thirty-four chapters devoted to instructions for steps required in Italian Baroque dance including pirola (pirouette), sfuggito (echappé), passo unite (assemblé), and cadente (tombé). Each step is fully described and notated in Feuillet notation, the dance notation system first published by French choreographer Raoul-Auger Feuillet in 1700. The second part of the manual contains six chapters devoted to performance of the minuetto (minuet) and concludes with... Topics: Authors: G: Giambatista Dufort, indirizzato all' eccellenza delle signore dame, e de' signori...
Originally published in 1762 and reissued in 1765, this work borrows heavily from previously published materials, including the works of Locke, Goldini, and especially John Weaver's 1712 An Essay towards a history of dancing. Gallini (1728-1805) presents a history of dance, arguments for learning the art of dance, and a discourse on the minuet. Especialy interesting are Gallini's comments on European and non-European dance and discussion includes practices in Britain, Spain, Naples, the... Topics: Authors: G: Giovanni Andrea Gallini., Titles: A